Art As Teacher

The funny thing about life and its relation to horror...Or, in this case, art, which we all know reflects life, and vice-versa. As artists, honesty is essential. Without it, where does your art go? Does it fade into the shallow confines of one dimensional expression and fail to skim the surface of catharsis? Without the pain of honesty, no true creation can touch another's life. Of course, there are artists who do not create for others, let alone show the world their work. I create for myself, but still want to show the world my work, so I would like to meet these people and have coffee with them. We could chat about our inner demons, our life-long quest to create, to learn, to pursue. Maybe we could learn a few things about each other along the way.

I'm not talking solely about horror, of course, but art in all categories, genres, and sub-genres. The canvas, music, sculpting, photography, along with writing, and every art form imaginable reflects. It's a mirror. I think as true artists, those who are unafraid to say how they feel, express their honesty no matter how detrimental it may be to them as people or their state of mind. They could care less what you think of them as people. They want their art understood, appreciated. They want you to see them as artists, learn about them through their art. Of course, being a decent person isn't bad either. Hitler was an artist, too, and well...you get the picture.

Artists provide us with something sacred, vital, allowing us to see inside them in ways they can only express through art. This is not only catharsis, in my opinion, but the definition of beauty. Artists are accepting this risk when embarking on the quest, and it's a risk worth taking, at least for the artist. You sacrifice for the sake of the art. Hemingway said "Experience makes the writer," but of course, it applies to all artists, and not just writers. So, this little spiel (not that I know what the hell it's really about, I just felt compelled to write) is something along the lines of honesty, acceptance, pain, and creativity. So, to teach, to learn, we experience pain, the coldness of bleak isolation, the sorrow and anguish of wracking sobs. Yes, it's the old cliche, ladies and gentleman--or underground dwellers--as the case may be. Pain is the greatest teacher, but luckily, as artists, we have an outlet for the confusion, sadness, and turmoil. As to it's relation to horror or art, well, that's where I begin to move this little exercise into a darker abyss.

Like any level of catharsis, some of the greatest work speaks louder through darkness, pain, and sorrow. At least, maybe this is why it reached me on the level it did. Horror made me realize I wasn't alone, and at the time, that was just what little Brandy-boy needed. And let's face it, growing up, we experience nothing but pain. In order to express, I thought loneliness, pain, sadness, and emotional anguish were best expressed through horror. And why not throw in a bleak winter landscape, maybe some freezing rain, just for effect. Ah, now you've got it! The point, I suppose, is that horror--like anything dark or evil--can be therapeutic, thus the catharsis. The blacker the tale, the deeper the understanding; at least I always believed this. Life comes at you hard and unexpected. Sometimes, it can be rude, humbling, and humiliating. Sadness moves, it wracks the body, but it can cleanse. And when it does, there might be enough space for clarity to shift the mind into another perception, or dimension, depending on your preference. Maybe you learn. Maybe you don't. It's a theory based on trial and error, and even as people, (you don't have to be an artist) we're able to appreciate and understand that. The beauty, I supposes, lies in the fact that art, like life, is our teacher, and, of course, vice-versa. We are all artists, in some way, in the painful throes of expression. Life humiliates, shames, pains, and confuses us. So, we cry, but no one hears us. We ache, but no one cares. Until some fateful occurrence, where the possibility presented itself that we touched someone's life. Maybe it made them cry, laugh, or shudder with fear. It doesn't matter. Emotion was evoked. The song had been sung. The tale is done.

As people, as artists, we've bowed as we've left the stage. We've poured our gratitude out and back again. We might be smiling on the inside, but, also, we are weeping torrential currents of light and tears. Life and art hold power. Fearlessness is part of the ingredient, I think. To be unafraid of where your mind takes you. Such a fine fine line, my friends, and perhaps dangerous. Are you willing to take the risk? Well, isn't that why you signed on in the first place? I think it has something to do with sharing the blackest part of you, and not harming, but helping others because of your experiences, pain, and vision. Some have brighter visions, some darker. Both are just as capable of teaching us something new.

I guess, that's enough of a soapbox. Can I get a pompous cheer? Like an evangelical tirade through blogs of horror. That wasn't my intention.

With life, comes pain. With art, comes redemption. Or so we hope. (Maybe a better title would be Philanthropy Through Art. And horror, too.) We learn through both, as painful as it is. The risk you signed on for when you made the commitment. Lessons come in all shapes and sizes. But you don't have to be afraid. Imagination as a lie? A fairy-tale? For shame! I don't think so! There's more realism going on under the shadow of fabrication. Does this mean--as an artist--you are allowed only pain? I don't think I can answer that. All you can do is build a kingdom. We have worlds inside us. Make it real. Teach us what we need to know...